Polymorphic artist, I establish by predilection a relationship between the digital and the organic, between the code and the material, by creating a link between different artistic techniques. Thus playing on our perception of shapes in space, I develop the concept of Code Art, a generative process born from a succession of invisible codes, algorithms and the principle of contraction-expansion. An artistic research from which I create and animate the work in a perpetual, iterative, hypnotic evolution.